Another Saturday and another afternoon with my Lady Architects; we were visiting the former West London residence and studio of
sculptor Kenneth Armitage (1916-2002).
Now held in trust by the Kenneth Armitage Foundation, occupancy of the house and studio is offered as a two-year residency to a
selected sculptor, an act of generosity that bestows freedom to produce and exhibit
a substantial body of work. We were shown around the building by the current
resident David Murphy who spoke of receiving a mystery unsolicited phone call
from the proverbial dark informing him he’d been selected for the fellowship. What an amazing phone call that must have been.
Purpose built as an artist’s house, the building was
subsequently split vertically through the middle leaving a slightly eccentric
tall narrow house connected by a winding stair with distinctly nautical vibes.
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The current house and studio represent an even slice of the original building |
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Narrow winding stair |
This trim circulation enhances the expansive feel of the
living space at first floor level with its high ceiling and mezzanine study, and huge studio at ground level. Both these main spaces are characterised
by those large north light windows so typical of Victorian purpose built
studios.
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View of the mezzanine in the living space |
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View from the mezzanine |
I was taken by David's suggestion that the building relates an idea about falling out of history. At one time, Armitage had
been a lauded British sculptor, a renowned contemporary of Henry Moore.
I had, admittedly never heard of him, though it seems he is in general less
well known than his fellow Leeds College of Art contemporaries and despite winning
best international sculpture at the Venice Biennale in 1958, somehow his name
has slipped out of time.
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Armitage in his studio |
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The studio now |
A theme it seems, the building itself was designed by Art
and Crafts pioneer James MacLaren, at one time a great influence on Charles Rennie
Mackintosh but it seems the student outshone the master in the end - while
Mackintosh’s eminent name is synonymous with a whole school (the burning of
that school designed by him in 2014 a national tragedy) just one book of
MacLaren’s work is in circulation.
The whims of time I suppose, well, I enjoyed learning about both.