8.6.15

Border Zone

An early start on Saturday; we were doing a one day booze crusie to Calais ahead of N&R’s wedding. 
Why is the Dover ferry port so determinedly a non-place? Everything is so resolutely temporary - with even less interest in dampening the transport infrastructure aspect than the average motorway services - yet has probably been fixed in arrangement for years. Of course it’s a transit zone, but evidently the fact that you are already on your way somewhere at the time you arrive there is not precaution enough, everything about the space guards against you getting too comfortable, and there is absolutely nothing to soften the tarmac.

With time to kill on the way back we took a detour into the Calais old town and an altogether opposite experience – a sunny beach with rows of cheerfully weathered changing huts strung out along its length - a different kind of temporary.

6.6.15

Cass

i applied for a place on the Cass Cities Summer School in Brussels:


they said:

i'm looking forward to it.

25.5.15

Service Wash

me and rp got ourselves organised long enough to enter something into the 
urban commons ideas competition earlier this month…i'm glad we did because:

a. it's a strong jury so we'd be stoked to be one of the 8 selected winners
b. i've been trying for a long time to find an angle for my launderette fetish



fingers crossed.

5.5.15

Black, and white

How have I never heard of Marlene Dumas before? That’s all I could think as I walked around a retrospective of the artist’s work at the Tate Modern earlier this week. The large paintings were good, equally moving and horrifying in their watery depictions of the human form, but the small black ink drawings were all I needed to see, I loved them.

Black Drawings – 111 drawings on heavy heavy paper (some of the sheets apparently drenched in ink and water) and ‘1 piece of slate’ –  got the fullest burnishing from my eyeballs which acknowledged the collective assembly for some time before moving over every item in turn (including that flat lightless stone) then pulled back taking them in as a whole again. Dense faces, ghostly faces, 111 faces, all in the same medium but no two showing the same tone or expression; a remarkable set of drawings.


Of course it’s the wrong way around to suggest a major artist reminds you of your own work (modesty lock is in position) but I was jolted back to my days as a confused art student in Leeds when I covered my desk in inky scribbles on found bits of scrappy paper. At some point I collated these and pinned them to the wall, a way of formalising the output I suppose but it never moved forward much from there. I never recorded them as they were taped to the wall, but some time later I photographed the pieces individually, like little slips of evidence….

I only wish I’d been alerted to Black Drawings; the subtle questioning, the manner and the form might’ve pushed my focus a bit.


21.1.15

Je suis architecte

Working late again...but at least it looks like the real deal...

30.11.14

Slowly, slowly

After months of this:


And weeks of this:


I finally have this:




18.5.14

pettibon

My plant stall debuted on Chatsworth Road Market today!

7.5.13

Making Collections

a wholesome bank holiday weekend down in Cornwall at the invitation of TRP.

high tide

low tide
Observing the creek, going on walks and making collections...



4.2.13

Doodle Plug

Reminded myself how to wire a plug.
Drew some circles.